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	<title>Teapot Theology &#187; uncomfortable</title>
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	<description>Tastey, Authentic &#38; True!</description>
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		<title>the reader&#8230;</title>
		<link>http://www.teapottheology.com/2009/10/the-reader/</link>
		<comments>http://www.teapottheology.com/2009/10/the-reader/#comments</comments>
		<pubDate>Thu, 01 Oct 2009 11:16:09 +0000</pubDate>
		<dc:creator>Johnny Douglas</dc:creator>
				<category><![CDATA[movies]]></category>
		<category><![CDATA[reflection]]></category>
		<category><![CDATA[challenging]]></category>
		<category><![CDATA[Kate Winslet]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[The Reader]]></category>
		<category><![CDATA[uncomfortable]]></category>

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		<description><![CDATA[,…is not romance as you may know it (!!) but is a bold, challenging and emotionally-distant historical drama. Ralph Fiennes is Michael Berg, the present-day narrator of this film and Bernard Schlink’s novel, a middle-aged German lawyer whom we first encounter making breakfast for a younger bedfellow but refusing to exchange intimacy for commitment. We reconvene in 1958 and 15-year-old Michael (David Kross), a clever child from an academic family, loses his virginity to taciturn Hanna (Kate Winslet), a mysterious, [...]]]></description>
			<content:encoded><![CDATA[<p><em>,…is not romance as you may know it (!!)</em> but is <strong>a bold, challenging and emotionally-distant historical drama. </strong></p>
<p>Ralph Fiennes is Michael Berg, the present-day narrator of this film and <a href="http://en.wikipedia.org/wiki/Bernhard_Schlink ">Bernard Schlink’s novel</a>, a middle-aged German lawyer whom we first encounter making breakfast for a younger bedfellow but <strong>refusing to exchange intimacy for commitment. </strong>We reconvene in 1958 and 15-year-old Michael (David Kross), a clever child from an academic family, loses his virginity to taciturn Hanna (Kate Winslet), a mysterious, 36-year-old trolleybus worker whom he encounters in the street. <strong>He falls in love; she enjoys hearing him read from Tolstoy until she disappears one day without warning.</strong> Several years later, Michael, a law student, encounters Hanna in a new context – one that reveals devastating facts about his former lover. <em>A new, unusual relationship emerges, at a distance, and one that stretches over many years.</em> To reveal more would damage the debate at the film’s heart: <em><strong>an argument that pitches feelings against facts and, necessarily, asks more questions than it answers.</strong></em></p>
<p><strong>The detail is moving, the communication so subtle &amp; expressive, the content uncomfortable</strong> and Winslet very deserving of her Oscar performance.<a href="http://thereader-movie.com"><strong> ‘The Reader’ is a chewy post-Holocaust work</strong></a> as it pitches itself <em>between the known facts</em> of that cataclysm and the <em>unanswerable questions of responsibility, guilt, law, justice and forgiveness.</em> <strong>Overall a troubling and highly provocative movie.</strong></p>
<p><img class="alignleft size-medium wp-image-2132" title="thereaderpic4" src="http://www.teapottheology.com/wp-content/uploads/2009/10/thereaderpic41-300x200.jpg" alt="thereaderpic4" width="300" height="200" /></p>
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